The Cambridge Companion to the Harlem Renaissance（ISBN=9780521673686） 英文原版 pmlz 电子版 pdf docx 网盘 kindle azw3 下载

　　The Harlem Renaissance (1918–1937) was the most influential

single movement in African American literary history. Its key

figures include W. E. B. Du Bois, Nella Larsen, Zora Neale Hurston,

Claude McKay, and Langston Hughes. The movement laid the groundwork

for all later African American literature, and had an enormous

impact on later black literature world-wide. With chapters by a

wide range of well-known scholars, this Companion is an

authoritative and engaging guide to the movement. It first

discusses the historical contexts of the Harlem Renaissance, both

national and international; then presents original discussions of a

wide array of authors and texts; and finally treats the reputation

of the movement in later years. Giving full play to the

disagreements and differences that energized the renaissance, this

Companion presents the best of current wisdom as well as a set of

new readings encouraging further exploration of this dynamic

field.

· The most accessible and comprehensive student book available on

the Harlem Renaissance · Covers the cultural and historical

contexts as well as individual authors and works in depth ·

Features a chronology and guide to further reading

Notes on contributors page vii

Chronology

MICHAEL A. CHANEY xi

Introduction

GEORGE HUTCHINSON 1

PART I    FOUNDATIONS OF THE HARLEM RENAISSANCE

11

　1 The New Negro as citizen

　　JEFFREY C. STEWART 13

　2 The Renaissance and the Vogue

　　EMILY BERNARD 28

　3 International contexts of the Negro Renaissance

　　MICHAEL A. CHANEY 41

PART II    MAJOR AUTHORS AND TEXTS 55

　4 Negro drama and the Harlem Renaissance

　　DAVID KRASNER 57

　5 Jean Toomer and the avant-garde

　　MARK WHALAN 71

　6 “To tell the truth about us”: the fictions and non-fictions of

Jessie Fauset and Walter White

　　CHERYL A. WALL 82

　7 African American folk roots and Harlem Renaissance poetry

　　MARK A. SANDERS 96

　8 Lyric stars: Countee Cullen and Langston Hughes

　　JAMES SMETHURST 112

　9 “Perhaps Buddha is a woman”: women’s poetry in the Harlem

Renaissance

　　MARGO NATALIE CRAWFORD 126

　10 Transgressive sexuality and the literature of the Harlem

Renaissance

　　A. B. CHRISTA SCHWARZ 141

　11 Sexual desire, modernity, and modernism in the fiction of Nella

Larsen and Rudolph Fisher

　　CHARLES SCRUGGS 155

　12 Banjo meets the Dark Princess: Claude McKay, W. E. B. Du Bois,

and the transnational novel of the Harlem Renaissance

　　WILLIAM J. MAXWELL 170

　13 The Caribbean voices of Claude McKay and Eric Walrond

　　CARL PEDERSEN 184

　14 George Schuyler and Wallace Thurman: two satirists of the

Harlem Renaissance

　　J. MARTIN FAVOR 198

　15 Zora Neale Hurston, folk performance, and the “Margarine

Negro”

　　CARLA KAPLAN 213

PART III    THE POST-RENAISSANCE 237

　16 “The Aftermath”: the reputation of the Harlem Renaissance

twenty years later

　　LAWRENCE JACKSON 239

Guide to further reading 254

Index 265

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书籍介绍

The Harlem Renaissance (1918–1937) was the most influential single movement in African American literary history. Its key figures include Du Bois, Larsen, Hurston, McKay, and Hughes. This Companion presents the best of current wisdom as well as a set of new readings encouraging further exploration of this dynamic field.