MONET AND THE IMPRESSIONISTS 莫奈与印象派 pmlz 电子版 pdf docx 网盘 kindle azw3 下载

When Claude Monet exhibited his paintings for the first time in Paris, he acknowledged no teacher, intending to claim complete originality for his works. Since then, many writers have sought to corroborate his originality, latching on to statements such as What I do here will at least have the merit of not resembling anybody. Because it is simply the expression of what Ive experienced by myself (letter to Bazille, 1866). In actual fact, Monet was gregarious, passionately interested in the paintings of his predecessors and contemporaries, and he made a common political cause with his fellow impressionists, being a principal organizer of their first exhibitions. This book aims to recreate the artistic milieu of Monet and show his rapport with the unconventional non-academic currents of French art including the preceding generation of landscapists of the Fontainebleu School and the succeeding generation, including Paul Gauguin. Paintings by Claude Monet, approximately 20 in all, are grouped with the works of other artists connected to Monet to suggest the range of his experience, his influences, and the influence of his art, from his beginnings in the 1860s to the years after 1900. The artists used for comparison include greats such as Renoir, Sisley, Pissarro, Degas and Cézanne.

Foreword

Edmund Capon and Seddon Bennington

Introduction

George T M Shackelford

Monet and the Impressionists

George T M Shackelford

Monet's early years: sources of inspiration

Monet and early Impressionism

Monet and the triumph of Impressionism: the 1880s

Monet and Japanese art

Monet's series

Monet and Impressionism after 1900

Monet's technique

George T M Shackelford

Monet's impressions of the industrial environment

Jonathan Mane-Wheoki

Seeing double: painters and photographers

Claire Durand-Ruel Snollaerts

Map of Impressionist France

Chronology

Monet's posterity

Terence Maloon

Monet the founder

Andre Masson

Memories of Monet

Meeting Monsieur Monet:an introduction to four eyewitness aaCcounts

Terence Maloon

An afternoon with Claude Monet

Louis Vauxcelles

The waterlilies by Monsieur Claude Monet

Roger Marx

Memories of Monet

Muriel Ciolkowska

Reminiscences of Claude Monet from 1889 to 1909

Lille Cabot Perry

The artists: biographical notes

List of works

Selected references

Index

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书籍介绍

When Claude Monet exhibited his paintings for the first time in Paris, he acknowledged no teacher, intending to claim complete originality for his works. Since then, many writers have sought to corroborate his originality, latching on to statements such as What I do here will at least have the merit of not resembling anybody. Because it is simply the expression of what Ive experienced by myself (letter to Bazille, 1866). In actual fact, Monet was gregarious, passionately interested in the paintings of his predecessors and contemporaries, and he made a common political cause with his fellow impressionists, being a principal organizer of their first exhibitions. This book aims to recreate the artistic milieu of Monet and show his rapport with the unconventional non-academic currents of French art including the preceding generation of landscapists of the Fontainebleu School and the succeeding generation, including Paul Gauguin. Paintings by Claude Monet, approximately 20 in all, are grouped with the works of other artists connected to Monet to suggest the range of his experience, his influences, and the influence of his art, from his beginnings in the 1860s to the years after 1900. The artists used for comparison include greats such as Renoir, Sisley, Pissarro, Degas and Cézanne.