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This is the most extensively annotated edition of Macbeth

currently available, offering a thorough reconsideration of one of

Shakespeare's most popular plays. A full and accessible updated

introduction studies the immediate theatrical and political

contexts of Macbeth's composition, especially the Gunpowder Plot

and the contemporary account of an early performance at the Globe.

It treats such issues as whether the Witches compel Macbeth to

murder; whether Lady Macbeth is herself in some sense a witch;

whether Banquo is Macbeth's accomplice in crime; and what criticism

is levelled against Macduff. Several possible new sources are

suggested, and the presence of Thomas Middleton's writing in the

play is proposed. An extensive, well-illustrated account of the

play in performance examines several cinematic versions, such as

those by Kurosawa and Roman Polanski, and a brand new introductory

section on recent performances and adaptations brings the edition

completely up-to-date.

List of illustrations page

Acknowledgements

List of abbreviations and conventions

Introduction

Macbeth in legend, Macbeth in history

    Topical Macbeth

    Occasional Macbeth

    Documents

Macbeth in the mind

    Succession, time, and families

    Master of his time: ‘doubly redoubled

strokes’

    Prospect of belief: witches, women, and mediated

knowledge

    ‘What do you mean?’: the languages of

Macbeth

Macbeth in performance

    Performance and adaptation before 1800

    Later stagings and versions

    Further variations: Kurosawa, Polanski,

Ninagawa

Macbeth in the mind and in performance: Act 4, Scene 3

Recent performances and adaptations

   Macbeth filmed

Recent criticism and scholarship

    Macbeth in its time and just after

    Macbeth since about 1700

Note on the text

Note on the Commentary

List of characters

T HE P LAY

Supplementary notes

Textual analysis

Appendix 1: Casting Macbeth

Appendix 2: Additional text and music

Appendix 3: Relineation of the Folio

Reading list

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书籍介绍

This 2008 book is an extensively-annotated edition of Macbeth, offering a thorough reconsideration of one of Shakespeare's most popular plays. A full and accessible updated introduction studies the immediate theatrical and political contexts of Macbeth's composition, especially the Gunpowder Plot and the contemporary account of an early performance at the Globe. It treats such issues as whether the Witches compel Macbeth to murder; whether Lady Macbeth is herself in some sense a witch; whether Banquo is Macbeth's accomplice in crime; and what criticism is levelled against Macduff. Several possible new sources are suggested, and the presence of Thomas Middleton's writing in the play is proposed. An extensive, well-illustrated account of the play in performance examines several cinematic versions, such as those by Kurosawa and Roman Polanski, and a brand new introductory section on recent performances and adaptations brings the edition completely up-to-date.