The prima donna and opera, 1815-1930首席女歌手与歌剧, 1815-1930 pmlz 电子版 pdf docx 网盘 kindle azw3 下载

This book is concerned not so much with the 'prima donna' as with prime donne: a group of working artists (sometimes famous but more often relatively unknown and now long forgotten) and the circumstances of their professional lives. It attempts to locate these singers within a broader history, including not only the specificities of operatic stage practice but the life beyond the opera house - the social, cultural and political framing that shaped individual experience, artistic endeavour and audience reception. Rutherford addresses questions such as the multiple discourses on the image of the singer and their impact on the changing profile of the professional artist from figlia dell'arte at the beginning of the era to middle-class woman at the end; the aspect of the 'stage mother' and patronage; issues of vocal training and tuition; professional life in the operatic market-place; and performance (both vocal and dramatic) conventions and practices.

Introduction

1 Sirens and songbirds

2 Superdivas and superwomen

3 Tutors and tuition

4 The supporting cast

5 Professional life

6 Vocal and theatrical landscapes

7 The singing actress

Postscript

Notes

Bibliography

Index

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书籍介绍

Examining both famous and unknown artists, this book offers a reappraisal of the female operatic singer during the nineteenth and twentieth centuries. It attempts to locate these singers within a broader history, including not only the specificities of operatic stage practice but the life beyond the opera house.